SUROGAT STVARNOSTI
SURROGATE OF REALITY
with Marta Lozo
Hrvatski dom likovnih umjetnika - HDLU, u suradnji sa Zagreb filmom te uz podršku Ministarstva kulture, organizira retrospektivnu izložbu fenomena Zagrebacke škole animiranog filma, nazvanu Surogat stvarnosti.
Animirani filmovi iz 50 godišnjeg opusa, organizirani su u projekcijske cijeline koje cine osnovni izložbeni prostor, zbog cega je black box princip uspostavljen na razini citave galerije. Dominantan projekcijski prostor odvojen je po kronološkim cjelinama light boxovima u kojima su izloženi originalni materijali animatora poput crteža, cellova, skica, scenografija i oskara. Zatecena situacija u galeriji uvjetovala je organizaciju i položaj light boxeva. Prethodno postavljeni gips-kartonski zidovi formiraju prostor novim elementom - 'surogat' zidom, od eps ploca. Položaj i dimenzija light boxova je minimalna kako bi se sadržao specificni ovalni karakter galerije.
Projekcijski prostor ispunjen je modularnim eps blokovima kao fleksibilnim sjedalicama iznad kojih su ovješene slušalice.
U ulaznom prostoru smještena je citaonica te je to ujedno najfleksibilniji dio postava zbog mogucnosti održvanja djecjih radionica i pratecih dogadanja izložbe.
Croatian Artist Association (HDLU), together with Zagreb film in association with Ministry of Culture held the retrospective exhibition of the Zagreb school of animated film, called the Surrogate of reality in June, 2011.
Zagreb school of animated film, with its half a century long opus were organised in sections and form the main display. The amount of material made the black box out of the entire gallery, with 'light boxes' separating main screenings, organised chronologically. The 'light box' approach made it possible to exhibit the original material like drawings, cells, scenography paintings and an Oscar won by Dušan Vukotic in 1961 for his animated film - Surrogate.
The plaster walls in the gallery had to be adapted by adding surrogate walls to close the space in order to form a light box which had to be minimal in order to keep a sense of the oval character of the gallery. The screening area was filled with modular EPS seats above which there were headphones fixed to the ceiling.
The entrance area became a readers corner which is the most flexible part of the display because it often hosts different events like workshop for children, discussion groups…
